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During the 1960s, Rydell had numerous hit records on the Billboard Hot 100 record chart.His recording career earned him 34 Top 40 hits, placing him in the Top 5 artists of his era (Billboard).After three unsuccessful singles for small companies, he signed a recording contract with Cameo Records.After a couple of flops, "Kissin' Time" reached the charts in 1959.Technology education is a hands-on laboratory based education program that allows students to use problem solving methods to explore the various systems of technology and the educational and career opportunities available in each system. Students who are advanced in computer skills will have the opportunity to work on special projects which will apply their skills.Some of those projects may include: HTML—website design, yearbook—use digital camera, multimedia—(Chapel) sound production, Power Point presentation, and newsletter design and production.These included his most popular successes, "Wild One" (his highest scoring single, at number 2), "Volare" (number 4), "Swingin' School" (number 5), "Kissin' Time" (number 11), "Sway" (number 14), "I've Got Bonnie" (number 18) and "The Cha-Cha-Cha" (number 10).His last major chart success was "Forget Him", which reached number 4 on the Hot 100 in January 1964.
During this time, he performed on many television programs, including the Red Skelton Show, where a recurring role was written for him by Red Skelton as Zeke Kadiddlehopper, Clem Kadiddlehopper's younger cousin.
In May 1960, Rydell toured Australia with The Everly Brothers, Billy "Crash" Craddock, Marv Johnson, The Champs and The Crickets, recording an Australian version of "Kissin' Time" for the event.
His second success, "We Got Love", was his first million-album seller, gaining gold disc status.
However, Rydell cancelled his 2012 Australia tour because his health had deteriorated significantly and he was in need of urgent major surgery.
In January 2013, six months after double transplant surgery, Rydell returned to the stage in Las Vegas for a three night engagement to a sold out audience.